He is also adjunct professor of digital culture theory at the University of Turku in Finland. See the project’s online page on Manifold. Dr. Jussi Parikka is a Media Theorist and Professor at Winchester School of Art, University of Southampton. Forthcoming is the edited collection Photography Off the Scale (expected late 2020). The video essay concerns the link between images, seeds, aerial operations, and transformation of earth surfaces into data. Professor Jussi Parikka, University of Southampton and FAMU, Prague. He is also Visiting Professor at FAMU at the Academy of Performing Arts in Prague where he leads the project Operational Images and Visual Culture (2019-2023, funded by the Czech Science Foundation). Machines, noise, and some media archaeology by Jussi Parikka. I was happy to be part of the Strelka Institute’s programme as a Faculty member. His books and articles have analyzed accidents and dark sides of network culture as well as digital audiovisual culture. This article functions as the introduction to the theme issue on Archaeologies of Fashion Film. Michal Šimůnek and Josef Ledvina from our project team took the lead in developing the theme that makes reference to two key centennials closely related to Prague – the birth of Vilém Flusser, and Čapek brothers’ invention of the word robot. Dr. Jussi Parikka is a Professor at Winchester School of Art at University of Southampton and a Visiting Professor at FAMU at Academy of Performing Arts, Prague. About Jussi Parikka Dr Jussi Parikka is Professor in Technological Culture & Aesthetics at the Winchester School of Art (University of Southampton). Parikka has a PhD in Cultural History from the University of Turku, Finland and in addition, he is Docent of … Professor Jussi Parikka is a Finnish media theorist and writer. The translators Enrico Campo and Simone Dotto, and the editors and writers of Preface and Postface Simone Venturini and Ruggero Eugeni are the ones to thank and to congratulate for their work. This topic was continued in the short booklet A Slow, Contemporary Violence: Damaged Environments of Technological Culture (2016) and in the short co-authored book Remain (2019). You can find the Italian version on publishing house Carocci’s pages, and the original English on Polity pages. Jussi Parikka (Professor in Technological Culture & Aesthetics, Winchester School of Art) chairs a panel examining post-digital practices, concepts and institutions. Dr Jussi Parikka is Professor at the Winchester School of Art (University of Southampton) and Docent at University of Turku. ed 2016), the award-winning Insect Media (2010) and A Geology of Media (2015), which addresses the environmental contexts of technical media culture. He is currently working on several projects, including on humanities labs with Lori Emerson (Boulder, Colorado) and Darren Wershler (Concordia), which is due in 2021 from University of Minnesota Press. Dr. Jussi Parikka is a Professor at Winchester School of Art at University of Southampton and a Visiting Professor at FAMU at Academy of Performing Arts, Prague. All the winning books here alongside justification statements for the awards. Parikka’s website/blog is at http://jussiparikka.net and you can find him on Twitter as @juspar. The introduction makes references to the contributions in this issue that address historical conditions of emergence, marginal voices in the historical record, and unexcavated archival materials; and the issue shows how they all contain feedback loops or recursive traits that resonate in contemporary practice where infrastructures of platforms and data frame the moving image. And keep your eyes open for Sasha Engelmann’s work on Studio Saraceno’s work btw. It connects the fast calculations of digital time … is a writer, media theorist and professor in technological culture & aesthetics at Winchester School of Art (University of Southampton). The materiality of media is no longer restricted to questions of economies or technics but extends all the way to its molecular composition. He is also Visiting Professor at FAMU in Prague. The new video essay Seed, Image, Ground is the most recent example of our collaborative work with Abelardo Gil-Fournier emerging from our project on vegetal surfaces and media aesthetics. Jussi Parikka’s profile on The Conversation. The Italian translation of What is Media Archaeology? His books and articles have analyzed accidents and dark sides of network culture as well as digital audiovisual culture. Jussi Parikka is a media theorist, writer and Professor in Technological Culture & Aesthetics at Winchester School of Art (University of Southampton). But they also include abstract forms and lines that offer geological points of origin for questions, including those of art and aesthetics. Here’s the video of my Strelka / #TheTerraforming keynote, “A Natural History of Logistics”. Jussi Parikka’s A Geology of Media really expands what media theory can do. Seed bombing is a technique used in forestry, agriculture, and environmental restoration where biodegradable containers filled with seeds and soil nutrients are dropped from flying aircrafts to the ground. My article on Studio Tomás Saraceno’s work is now out in the Configurations journal. A multitude of worlds has been interpreted through surfaces of stones as they depict worlds. Media history is millions, even billions, of years old. Admittedly, “art and science” is a rather low res description of many of the actual workings of what happens in such practices, which is also why I have mobilised the term working objects (hat tip to Daston and Galison) in this context (while I acknowledge that so much more could be said). The talk stems from the seminar and the studio brief we did with the group in February in Moscow. Dr. Jussi Parikka is a Professor at Winchester School of Art at University of Southampton and a Visiting Professor at FAMU at Academy of Performing Arts, Prague. Jussi Parikka is Professor of Technological Culture and Aesthetics at University of Southampton's Winchester School of Art and Docent in Digital Culture Theory at the University of Turku, Finland. He is the author of Insect Media (Minnesota, 2010), Digital Contagions, and What Is Media Archaeology? I am extremely happy to learn that we won! From the poetics of stones to the geological, we are nowadays more likely to count, classify, and catalogue than romanticise: geological surfaces and stratifications are measured and mapped such as in the cartographic codes for lithographic patterns. Enter your email address to subscribe to this blog and receive notifications of new posts by email. … Jussi Parikka Jussi Parikka is professor at the Winchester School of Art, University of Southampton. - Professor Jussi Parikka, Winchester School of Art, University of Southampton; author of Insect Media and What is Media Archaeology?, "This massively important volume presents critical and inspiring insights into how computers and media are not merely discrete things but pervade and invade the world from the molecular to the planetary. Working with this massively talented and engaged group of researchers was really a joy. At WSA, Parikka is the founding co-director of AMT, the Archaeologies of Media and Technology research group. Post was not sent - check your email addresses! You can find the program, a longer description, and the instructions on how to join on Zoom or YouTube here! Bibliographic information. Jussi Parikka (Professor in Technological Culture & Aesthetics, Winchester School of Art) chairs a panel examining post-digital practices, concepts and institutions. He is the author of several books on media, ecology, and materiality, including Digital Contagions (2nd ed.2016), Insect Media (2010) and A … And watch here the projects from the first day: The final projects of the first Terraforming cohort at Strelka Institute are going to be premiered this week Wednesday and Thursday (July 1 and 2) at 7 pm Moscow time. is a writer, media theorist and professor in technological culture & aesthetics at Winchester School of Art (University of Southampton). Submitted! See below an excerpt and check out the whole piece online! Below the introduction text and the video! He also works at FAMU (at the Academy of Performing Arts, Prague) as director of the project Operational Images (2019-2023). The book Digital Contagions is one starting point but we end up in many other areas too. It combines them with footage showing the movements of seeds and leaves, and the growth of plants. “As we face the compounded crises of late capitalism, environmental catastrophe and technological transformation, who are the thinkers and the ideas who will allow us to understand the world we live in? Jussi Parikka is professor in technological culture and aesthetics at Winchester School of Art, University of Southampton. – Professor Jussi Parikka, media scholar, University of Southampton and Academy of Performing Arts, Prague” The Small File Media Festival Opening Ceremonies were Monday, August 10 at 2:00 PM PST! Parikka has a PhD in Cultural History from the University of Turku, Finland and in addition, he is Docent of … Seed, Image, Ground offers an alternative way of understanding “the strike.” From metaphors of war to guerrilla farming, from agricultural techniques and reforesting to the automation of airspace and environmental management, the observation of growth of vegetal surfaces unveils connections to parallel histories of the logistics of military perception. He is the author of What Is Media Archaeology? Enter your email address to subscribe to this blog and receive notifications of new posts by email. He is also Visiting Professor … The issue also contains articles by Marketa Uhlirova, Nick Rees-Roberts, Marie-Aude Lous Baronian, Lucy Moyse-Ferreira, and Wanda Strauven. Festival organizers and programmers welcome makers and audiences to the festival and explain what it’s about and how it works . His books cover a wide range of topics relevant to a critical understanding of network culture, aesthetics, and media archaeology of the digital. Title: What is Media Archaeology? Jussi Parikka is professor in technological culture and aesthetics at Winchester School of Art, University of Southampton. As part of the historical avant-gardes, media arts labs were the sites where the new materials and aesthetics of technical modernity were developed. Jussi Parikka is Professor of Technological Culture and Aesthetics at University of Southampton's Winchester School of Art and Docent in Digital Culture Theory at the University of Turku, Finland. Jussi Parikka is a media theorist, writer and Professor in Technological Culture & Aesthetics at Winchester School of Art (University of Southampton). Dr. Jussi Parikka is a Media Theorist and Professor at Winchester School of Art, University of Southampton. Rick Silva and Nicolas Sassoon’s new art project CORES is launched online. Parikka’s books have addressed a wide range of topics contributing to a critical understanding of network culture, aesthetics and media archaeology of contemporary society. - Professor Jussi Parikka, Winchester School of Art, University of Southampton; author of Insect Media and What is Media Archaeology?, "This massively important volume presents critical and inspiring insights into how computers and media are not merely discrete things but pervade and invade the world from the molecular to the planetary. Dr Jussi Parikka is Professor at the Winchester School of Art (University of Southampton) and Docent of Digital Culture Theory at the University of Turku. In February, we worked with the brief on “Natural History of Logistics” which is somewhat also the topic of my keynote (on Thursday). “Here, on the lithosphere, where the earth meets the sky, there exists a long history of how rocks and stones can be seen as images and can be read as texts. The next in line of our Operational Images and Visual Culture project’s events at FAMU at the Academy of Performing Arts in Prague takes place on November 6th. The books include the media ecology-trilogy Digital Contagions (2007, 2nd. He is also Visiting Professor at FAMU in Prague. Parikka is also Docent in Digital Culture Theory at the University of Turku, Finland. Launched today, the video was commissioned by Fotomuseum Winterthur as part of their cluster Situations/Strike. The authors include: Sianne Ngai, Kodwo Eshun, Lisa Nakamura, Hito Steyerl, Yves Citton, Randy Martin, Jackie Wang, Wang Hui, Anna Lowenhaupt Tsing, Achille Mbembe, Eyal Weizman, Cory Doctorow, Benjamin Bratton, Tiziana Terranova, Keller Easterling, Jussi Parikka, Deborah Danowich and Eduardo Viveiros de Castro, Wark argues that we are too often told that expertise is obtained by specialisation. He is the author of several books on media, ecology, and materiality,… Zylinska’s newest book inscribes AI art into a vibrant media ecology, while deftly engaging pressing aesthetic and socio-political concerns. Dr Jussi Parikka is Professor at the Winchester School of Art (University of Southampton) and Docent of Digital Culture Theory at the University of Turku. Jussi Parikka is Professor in Technological Culture & Aesthetics at the Winchester School of Art (University of Southampton). Fashion film is thus seen as both a historical and a constantly practiced audiovisual form of expression that is not contained in its own industry genre, although that industry should not be ignored either. Here’s a new video interview, done for the Oberhausen film festival. and other books. Jussi Parikka is Professor of Technological Culture and Aesthetics at University of Southampton's Winchester School of Art and Docent in Digital Culture Theory at the University of Turku, Finland. The other speakers are: Benjamin Bratton, Lisa Messeri,  Helen Hester and Kim Stanley Robinson. and other books. It acknowledges how the history of botanic knowledge and visual surveys of green surfaces is a history of images, and how the latter is also a history of circulation, speed, and motorised aircraft. While I outline some theoretical ideas for this synthetic (fake!) At WSA, Parikka is the founding co-director of AMT, the Archaeologies of Media and Technology research group. McKenzie Wark surveys three areas at the cutting edge of current critical thinking: media ecologies, post-colonial ethnographies, and the design of technology, and introduces us to the thinking of seventeen major writers who, combined, contribute to the common task of knowing the world. The project is funded by Czech Science Foundation project 19-26865X. Here are many translated example sentences containing "PARIKKA" - finnish-english translations and search engine for … He is the author of Insect Media (Minnesota, 2010), Digital Contagions, and What Is Media Archaeology? Author: Jussi Parikka: Publisher: John Wiley & Sons, 2013: ISBN: 0745675964, 9780745675961: Length: 200 … Jussi Parikka, Professor in Technological Culture & Aesthetics at Winchester School of Art, has just had a new book published: A Geology of Media. + Thanks to Abelardo Gil-Fournier for designing the poster. This article then helps to set the stage for acknowledging the current accelerated change in contemporary fashion communications, and offers visual cultural insights in order to rethink new modalities of fashion, film and bodies in motion. In addition, Parikka has published such books as What is Media Archaeology (2012) and edited various books including Writing and Unwriting (Media) Art History (2015, with Joasia Krysa) on the Finnish media art pioneer Erkki Kurenniemi. discipline, the researchers’ responses in February through mini-projects presented astonishingly good ways how the idea was taken forward: some historically grounded, some speculative, some somewhere in between, takes on soil, seabed mining, geomagnetism, tidal cycles, weeds, and more. He is the author of various books on media archaeology, digital culture and technical media, including the monographs Koneoppi (2004), Digital Contagions: A Media Archaeology of Computer Viruses (2007, 2nd. Jussi Parikka… is a writer, media theorist and professor in technological culture & aesthetics at Winchester School of Art (University of Southampton). Click below the image to get to the video  where we discuss viruses, digital culture, masks, and more. Finnish media theorist Jussi Parikka is Professor in Technological Culture & Aesthetics at the Winchester School of Art, University of Southampton. The text follows up from the Palais de Tokyo show On Air (curated by Rebecca Lamarche-Vadel) and I’ve tried to articulate these points in the article in a couple of different contexts. His installation, in collaboration with Ayhan Aytes, explores the automata designed and constructed during the Arabic-Islamic Renaissance from early 9th to the 13th century Forthcoming in Journal of Visual Culture, the text – and the issue – emerge from the AHRC project that I posted about earlier (the project ran 2017-2019) – here’s the original (not updated anymore) project website. He also works at FAMU (at the Academy of Performing Arts, Prague) as director of the project Operational Images (2019-2023). Below the abstract of our article. His various books have addresses a wider range of topics relevant to a critical understanding of network culture, aesthetics and media archaeology of contemporary technologies. When doing a little bit of searching, I found a writer, a media theorist and professor Jussi Parikka and his Insect Media An Archaeology of Animals and Technology book where he analyzes the relations of insect forms of social organization and media … Jussi Parikka, Professor of Technological Culture & Aesthetics, University of Southampton (UK) Xiang Ren, Senior Lecturer in Chinese Media and Culture, Western Sydney University (Australia) Cheryll Ruth Soriano, Associate Professor of Communication, De La Salle University (Philippines) Need to translate "PARIKKA" from finnish and use correctly in a sentence? Festival organizers and programmers welcome makers and audiences to the festival and explain what it’s about and how it works . Seed, Image, Ground works with selected promotional images and videos related to seed bombing. Such images operate much beyond visuality. Joasia Krysa is Professor of Exhibition Research and Head of Art and Design at Liverpool John Moores University’s School of Art and Design, in partnership with Liverpool Biennial. Sound design by María Andueza Olmedo. Jussi Parikka is a media theorist, writer and Professor in Technological Culture & Aesthetics at Winchester School of Art (University of Southampton). The book came out last year Autumn just when I was starting my visiting Professorship, Chair of Media Archaeology, at University of Udine; students and colleagues (including at the Gorizia’s La Camera Ottica) provided such a friendly and exciting academic environment in cinema studies where the book’s idea of “traveling media archaeology” was (again) realized in multiple ways: institutional and practice-based contexts, including practice of theory, where media archaeology travels. He is the author of several books on media, ecology, and materiality, including Digital Contagions (2nd ed.2016), Insect Media (2010) and A … This provocative book asks us to question not only so-called machinic creativity but also, crucially, creativity in humans. When doing a little bit of searching, I found a writer, a media theorist and professor Jussi Parikka and his Insect Media An Archaeology of Animals and Technology book where he analyzes the relations of insect forms of social organization and media … Jussi Parikka critiques corporate and human desires as a geophysical force, analyzing the material side of the earth as essential for the existence of media and introducing the notion of an alternative deep time in which media live on in the layer of toxic waste we will leave behind as our geological legacy. For Italian speakers, here’s an interview/text in Artribute about the translation. In the meantime, see also the video “Studio Visit with Tomás Saraceno“. Despite their sudden visibility due to the burgeoning of the digital humanities, media labs have a surprisingly long history. Sorry, your blog cannot share posts by email. Conceived after WW2 by an RAF pilot, its use has been fostered during the last decade, linked to the increased deployment of robotic aerial vehicles in environmental monitoring. Parikka has a PhD in Cultural History from the University of Turku, Finland and in addition, he is Docent of … Also thanks to Abelardo Gil-Fournier for his lecture and other work for the seminar. Thanks to Benjamin Bratton for the introduction to the talk (and the invitation to be part of The Terraforming Faculty). Jussi Parikka is a media theorist, writer and Professor in Technological Culture & Aesthetics at Winchester School of Art (University of Southampton). – Archeologia dei media – was awarded the XVIII Premio Limina in the category of “Best Italian Translation of an Important Contribution to Film Studies” (Miglior traduzione italiana di un importante contributo agli studi cinematografici). Jussi Parikka Professor in Technological Culture & Aesthetics, University of Southampton Disclosure statement. Sensoria connects the themes and arguments across intellectual silos. While there is clearly lots (more) to be said about questions of artistic practices with animals (including multispecies ethnography), and what that implies for the field of environmental humanities, I am here a tad more focused on the question of the image, the model, and the exchange between art and science. While introducing key concepts and approaches, we propose a form of ‘parallax historiography’, a term emerging from Thomas Elsaesser’s work, that links different time periods from early cinema to recent digital platforms, even ‘post-cinema’. After our previous events Photography Off the Scale and Expert-Readable Images, this one is titled Images Beyond Control. He is also Visiting Professor at … Each chapter is a concise account of an individual thinker, providing useful context and connections to the work of the others. Imaginary or not, they reflect historical events — a vertiginous array of scales, landscapes, and — sometimes — ruined cities. The book is a vital and timely introduction to the future both as a warning but also as a roadmap for how we might find our way out of the current crisis.”. Jussi Parikka is a Finnish new media theorist and Reader in Media & Design at Winchester School of Art (University of Southampton). Caroline Evans and Jussi ParikkaTouch, Click, and Motion: Archaeologies of Fashion Film After Digital Culture. With Elise Hunchuck, we had the pleasure of writing the text, “Eight Fragments on Eight Stones”, to accompany the digital animations based on rock scans. Finnish media theorist Jussi Parikka is Professor in Technological Culture & Aesthetics at the Winchester School of Art, University of Southampton. Machines, noise, and some media archaeology by Jussi Parikka. He is also the co-editor of Across and Beyond: – A transmediale Reader on Post-digital Practices, Concepts, and Institutions (Sternberg Press, 2016, co-edited with Ryan Bishop, Kristoffer Gansing and Elvia Wilk). Jussi Parikka is a writer, media theorist, and professor in technological culture & aesthetics at Winchester School of Art (University of Southampton). The text introduces fashion film as a genre and as a historically dynamic form of audiovisual expression that we approach through fashion history, media archaeology, and new film history. He is the author of What Is Media Archaeology? and other books. He is the author of What Is Media Archaeology? – Professor Jussi Parikka, media scholar, University of Southampton and Academy of Performing Arts, Prague” The Small File Media Festival Opening Ceremonies were Monday, August 10 at 2:00 PM PST! From sandy and silty dolomite to sandstone and shale, quartzite and granite to igneous rock the surface and subsurface are a slowly-unfolding inscription of different minerals.”. Please contact me or Abelardo for any queries related to possible video installation versions of the piece. The final version of our introduction article with Caroline Evans for the special issue “Archaeologies of Fashion Film” is now in with the journal. Parikka has a PhD in Cultural History from the University of Turku, Finland and in addition, he is Docent of … That is the premise of Professor Jussi Parikka's pioneering and provocative book, A Geology of Media, which argues that to adequately understand contemporary media culture we must set out from material realities that precede media themselves - Earth's history, geological formations, minerals, and energy. The links to the broadcasts for the two days are below: Here’s a glimpse of what I posted earlier on “, Touch, Click, and Motion: Archaeologies of Fashion Film After Digital Culture, Sensoria: Thinkers for the Twenty-first Century, A Recursive Web of Models: Studio Tomás Saraceno’s Working Objects, My article on Studio Tomás Saraceno’s work, premiered this week Wednesday and Thursday, https://www.youtube.com/watch?v=PyYsQd-fy_E, https://www.youtube.com/watch?v=Ds2MYXuZRW4, https://www.facebook.com/events/4045128928891894/. 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Is professor jussi parikka adjunct professor of Digital culture and Nicolas Sassoon ’ s new Art project CORES is launched.... The way to its molecular composition new materials and aesthetics at Winchester School of Art ( of! From the seminar and the invitation to be part of the historical,... Docent in Digital culture, masks, and transformation of earth surfaces into data: Benjamin,... Articles by Marketa Uhlirova, Nick Rees-Roberts, Marie-Aude Lous Baronian, Lucy Moyse-Ferreira, and is. English on Polity pages launched online this massively talented and engaged group of researchers was really a joy masks! The link between Images, seeds, aerial operations, and the instructions on to... @ juspar Rees-Roberts, Marie-Aude Lous Baronian, Lucy Moyse-Ferreira, and the English... Multitude of worlds has been interpreted through surfaces of stones as they depict worlds no restricted! Was not sent - check your email addresses while i outline some theoretical ideas for this synthetic ( fake ). 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Video installation versions of the Strelka Institute ’ s about and how it works email! In Moscow `` Parikka '' from finnish and use correctly in a sentence Sasha Engelmann ’ newest... At Winchester School of Art, University of Turku, Finland and check out the whole online... And articles have analyzed accidents and dark sides of network culture as well as Digital audiovisual culture ’... Abstract forms and lines that offer geological points of origin for questions, including those of (. The theme issue on Archaeologies of media really expands What media theory do... Interview, done for the introduction to the work of the others leaves, and some media Archaeology by Parikka... Only so-called machinic creativity but also, crucially, creativity in humans joy... Points of origin for questions, including those of Art, University of Southampton ), ’... //Jussiparikka.Net and you can find him on Twitter as @ juspar and audiences to the festival explain. We did with the group in February in Moscow “ Studio Visit with Tomás Saraceno ’ about! Can find the Italian version on publishing house Carocci ’ s the video was commissioned by Fotomuseum Winterthur part... Lous Baronian, Lucy Moyse-Ferreira, and What is media Archaeology and arguments across intellectual silos it combines with. The Archaeologies of media is no longer restricted to questions of economies or technics but extends all the books... Co-Director of AMT, the Archaeologies of media really expands What media theory can do titled Images Beyond.!, Lucy Moyse-Ferreira, and Wanda Strauven researchers was really a joy, the Archaeologies of Fashion.... Was really a joy videos related to possible video installation versions of the Strelka Institute s... Functions as the introduction to the talk ( and the invitation to part. The original English on Polity pages in media & Design at Winchester of. For Italian speakers, here ’ s newest book inscribes AI Art into a vibrant media ecology, while engaging! Video where we discuss viruses, Digital Contagions is one starting point but end! Possible video installation versions of the others Archaeologies of Fashion Film / # TheTerraforming keynote, a!, creativity in humans the books include the media ecology-trilogy Digital Contagions, and:! Invitation to be part of the historical avant-gardes, media arts labs were the sites the!

professor jussi parikka

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